疲惫娇娃 CyberPink

Cyberpink

疲惫娇娃是一档从荧幕聊到宇宙深处的泛文化播客，用女性的声波延展对世界的参与和想象。在一个内陷的时代，疲惫娇娃站在中国和美国的交汇点上，用女性的元视角去观察、抵抗、塑造政治和社会对流行文化的影响。我们讨论流动的时代精神、艺术、自由、未来、友谊以及一切使我们获得力量的事物。

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疲惫娇娃 CyberPink

Episodes (79)

Thursday 078 | 刘玉玲新片：优绩主义东亚家庭里，残障没有退路吗？ 'Rosemead', 'Take me home', and telling stories about caregiving
Feb 19th 077 | Vibe Shift 三部曲：匮乏时代的流行文化 Popular culture in the age of scarcity
Feb 2nd 076 | 冬季氛围检查：2025年度盘点之可以可以我不行了 2025 Annual Review

疲惫娇娃 CyberPink

Mar 12, 2026
1½ hours
101 MB

【聊了什么The What】小杨、小蓝与友台残言片语主播八如一起聊了两部关于残障与照护的电影：刘玉玲主演的《柔似蜜》(Rosemead) 与圣丹斯今年新出的口碑佳作《带我回家》(Take Me Home)。讲述残障者的故事，很难绕过照护者的故事，也很容易陷入苦大仇深的叙事漩涡；毕竟社会给残障者的资源那么少，而在资源的匮乏中能讲出的故事常常是《柔似蜜》中描绘出的毁灭性的绝路。而《带我回家》则通过一种模糊虚构与真实的即兴手段，让残障演员在故事中展现全新的创作方式。或许这种匮乏并不是必须的，或许优绩主义的亚裔家庭不一定要把残障视为绝路，或许电影人能给出的激进的想象能够推动我们重塑现实，毕竟生而为人我们终将是脆弱的。 In this episode we are joined by Baru from our friend at 残言片语 to discuss two films about disability and caregiving: Rosemead, starring Lucy Liu, and Take Me Home, a critically acclaimed new Sundance film. When telling stories about disabled people, it is hard to avoid telling the stories of caregivers as well. It is also easy to fall into a heavy, tragic narrative spiral. After all, society offers so few resources to disabled people, and from within that scarcity, the kinds of stories that emerge often look like the devastating dead end portrayed in Rosemead. Take Me Home, by contrast, uses an improvisational approach that blurs fiction and reality, allowing disabled actors to reveal a wholly different creative mode within the film itself. Perhaps this scarcity is not inevitable. Perhaps, in high-achieving Asian families, disability does not have to be treated as a dead end. Perhaps the radical imagination offered by filmmakers can help us reshape reality—because as human beings, we are all ultimately fragile. 【时间轴 The When】 00:0...

疲惫娇娃 CyberPink

078 | 刘玉玲新片：优绩主义东亚家庭里，残障没有退路吗？ 'Rosemead', 'Take me home', and telling stories about caregiving

Cyberpink

00:00 -01:13:37